two distinct neighbours - part 1

The Curious Image by Jeroen Verhoeven
12.05-16.07.2011

The 2 pieces exhibiting at the gallery's space in 21 Dering Street

There are two galleries adjacent to each other in Dering Street, Mayfair - Blain Southern & Annely Juda. Their shows are not really the same dish but it's interesting to see them both together.

The Blain Southern is the offspin from Haunch of Venison's founders Rory Blain & Graham Southern, and it has been producing some cool shows with great reviews since its opening but we haven't checked it out yet in person bizarrely until now. We missed out, obviously.
In the current exhibition with Jeroen Verhoeven, the gallery is showcasing the dutch designer, whose design house Demakersvavn is famous for making use of technology in design with a playful twist (common among dutch designs). Increasingly contemporary art galleries are exploring ways to increase their pool of represented talents (and those with larger profit margins), product design is a field which was absorbed into the mainstream art world. The boundary between installation art and interior design has diminished rapidly with star designers increasingly pursue personal art projects with galleries or commercial brands. After all, what defines art is very subjective, and works with high quality should be welcome and those galleries which sources them are worth mentioning for credit.

In this show, two pieces are shown - a table and a lamp. Not your average ones, of course. Within the amazingly crafted table, two silhouette portraits of the artist’s design collaborators, Joep Verhoeven and Judith de Graauw, are subtly shaped into its undulating surfaces. The construction of the table is exposed at the back of itself, where normal design products would usually conceal these as if it is trade secrets.

panoramic view of Lectori Salutem (2010) - video link

As for the lamp, it gets its power source from the butterfly-shaped solar cells. Instead of real moths destroying themselves flying towards a bulb, these artificial butterflies actually make the lamp alive. A contradiction in its own existence (as you won't probably need a lamp when there's light to power up the solar cells), it makes a beautiful art piece even though impractical to be mass produced as a product.

Virtue of Blue (2010) - close up

Full photo set here


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*****

Further Readings - 
Page: Official website of Demakersvan
Review: Jeroen Verhoven's show by designws.com

Travelogue - Berlin Paris spring 2011

During the Easter + Royal Wedding double long weekend getaway, we escaped to Berlin & Paris and here are 4 shows which we like, 2 of them are from London artists.

*****

Andy Harper - Truthwall
Morgen Contemporary
29.04-18.06.2011

Andy Harper's previous show in Danese - 02.11.2009 video by ballenato63

Full photo set

*****

Sterling Ruby - I am not free because I can be exploded in any time
Sprüth Magers Berlin
08.04-28.05.2011

Overview of the show - video link
Full photo set

*****

James Franco - 
Peres Projects Berlin
12-22.04.2011

Close-up view of one of the Exhibits

Overview of the exhibition set in Peres Projects' Kreuzberg Gallery - video link

Full photo set

*****

Antony Gormley - For the Time Being
Galerie Thaddeus Ropc
30.04-04.06.2011

State (2011)

the MEME series (2011) - video link

Full photo set

*****

Further Reading -
Page: official page of Andy Harper's show in Morgen Contemporary Berlin
Page: official page of Sterling Ruby's show in Sprueth Magers Berlin
Page: official page of James Franco's show in Peres Projects Belin
Page: official page of Antony Gormley's show in Galerie Thaddeus Ropc Paris
Video: Liftstyle Sterling Ruby, 25.02.2011 by evanlamos

when a splash falls on the matrix

Psycho Boogie - Rory McCartney
Arch 402
25.03-28.04.2011

Come Clean (2011) by Rory McCartney

I do not know who Rory McCartney is until I came to see this show. Apparently he is london based, and is also the art director for Arena Homme Plus Magazine, which I was a dedicated reader a few years back (not any more for I have to implement a magazine spending cut after the crunch, and I don't have time to read all these magazines I bought any way). He has been commissioned by TfL for Platform for Art and has works shown in the Royal Acadmey of Arts and the V&A museum previously.

Hey! Hey! Can you Relate? (2011) by Rory McCartney

Them That's Not (2011) by Rory McCartney

The works in this show are all composed of a juxtaposition of random organic splashes on a geometric background.  The contrast is very powerful - there is a sense of life seemingly jumping out of the canvas. Some pieces are vividly colourful, some pieces are confined to 2-3 tones only. Overall it is abstract and very graphical in nature, and all these brit bands out there should ask Rory to design their vinyl covers like these!

Opening reception at Arch 402, a new-ish gallery right next to the Hoxton Overground Station

Full photo set here


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*****

Further Reading -
Page: Official page for the exhibition at Arch 402's website
Page: Official website of Rory McCartney

art against the cuts

Cuts
Studio 54 Architecture
54 Rivington Street
24-30.03.2011

Other than today's protest march on budget cuts, 16 young illustrators are voicing their anger in the form of a group exhibition. Drop by to see their amazing work until 30 March.

The illustrators are Georges Dupree, Jess Gerken, Rikki Hewitt, Paul Hickey, Ben Jennings, Nina Jorgensen, Nick Martin, Holly Monger, Suzie Patrick, Charlie Rallings, Josie Shenoy, Francesca Smyth, Lloyd Stratton, Louisa Taylor, Jade They and Sean Willmott 

Ben Jenning's paper toy

Cu(n)ts by Lloyd Stratton

Further Readings -
Page: Official Blog
Page: A student protest by Suzanne Hinchliffe for design week blog

spectacle of the east and modern tale of the west

Haunch of Venison kick off 2011 with Korean artist Meekyoung Shin's remakes of western statues and oriental objects d'art; paired with German artist Susanne Kühn's vividly coloured paintings of surreal environmental myths.

Translation - Meekyoung Shin
Haunch of Venison
16.02-02.04.2011

Translation Series (2009)

Meekyoung plays joke with collectors and challenges the viewers on the concept of authenticity, durability and artistic values through recreating antiques and sculptures with soap as the raw material. Translation series are mock antique vases, made to every detail of the original. You could appreciate the patterns in the original vase on her version, but how would these patterns look after a period of time when the soap molecules start to diffuse? If you like the piece because of its pattern, does it make the work lower in artistic value when the pattern starts to fade away? Or does such physical nature actually qualify as part of the artistic value?

Golden Buddha (2010)

Venus (1998)

Ghost series (2010)

The centrepiece of the show is the Ghost series, a collection of around 200 vases grouped in clusters of an imac colour spectrum. Although the artist's focus is the "notion of the transience of the original by stripping the forms of both their perceived solidity and their decorative markings, leaving only an echo of the original form", one cannot stop thinking such act has the usual commercial calculation in that each cluster would be eventually sold individually to collectors. And this rainbow spectrum is very much an open palette to cater for individual buyer's preference of his/hef favourite colour.

Ghost series (2010) - close up

Panorama of Ghost series (2010) - video link

Full photo set

*****

Garden Eden - Susanne Kühn
Haunch of Venison
16.02-02.04.2011

The Couple (2011)

While Meekyoung focuses on a twist of the aura of the original objects, Susanne's subject is a complete jam of the 3-dimensional meta-enironment in a 2-dimensional canvas.
Originally from East Germany (Leipzig), Susanna now lives in Freiburg. There is an inherent sense of the dark Grim tales in the ambience of her paintings. Things seems to be situated in a gravity-less space, so the interior and exterior flow and merge with each other. The human subjects inside her paintings, if any, are often only relating to a portion of this environment and not realising the extent of flux beyond that. That they seem all too happily living in the Garden Eden before Satan arises, is somehow a cynical reflection of the Black Swan phenomenon in the credit crunch.

Garden Eden (2010)

*****

Further Readings - 
Page: Official page of Meekyoung Shin's show on Haunch of Venison website
Page: Official page of Susanne Kühn's show on Haunch of Venison website
Page: Official website of Susanne Kühn
Page: Official page of Meekyoung Shin's 2007 exhibition in the Mongin Art Centre

the circus at kinetica art fair

Kinetica Art Fair 
Ambika P3 gallery
03-06.02.2011

Spotlight Entrance Sign

In its 3rd year from the debut in 2009, Kinetica Art Fair has gained the status of flagship event in London's art world for February, and provides a fundamentally different flavour to art-lovers from January's London Art Fair.

As of last year, there's a 'weclome' piece at the entrance to the fair - however it is ironically full of EXIT signs:

Exit-Wall by Cécile Colle & Ralf Nuhn

There are also some layout changes to various parts of the fair - the cafe has moved from below the main entrance platform to the platform, right behind the reception counter, replacing the souvenoir and kinetica publications / merchandise shop. One may wonder whether the sales of merchandise would be significantly affected because it exists only as one of the exhibition stands now, losing its prominent physical location. Or perhaps the sales of food & beverage is a much more profitable business which even the organiser can't resist the tempt to make more money from it? 

The bar has moved from the main exhibition level to the entrance level

There is an anchor piece at each end wall of the gallery - a moving floral matrix (above) as the backdrop of the bar, and a video projection wall (below) at the other end. This actually helps to contain the space and give some visual stimulations to people when they are walking across the exhibition stands at the main exhibition area and looking up.

The rear end wall of the gallery is filled with video projections this year

Here are a few highlights (in no particular order) in the fair -

Tunnel View by Hans Kotter at Patrick Heide Contemporary Art

Seeper - interactive visualisation sphere

Moving objects no 486 - 501 by Pe Lang - there's a real sense of life in these cables if you keep looking at them!

Fascinating Revolving Installations consisted of calculators (front) by David Cranmer

Work, Eat, Sleep by New Opera Hero

Trailer of a similar show they have done at the Shunt last year - video link

Electro Set Visuals - these are part of the contents they performed in the fair - video link

Floatins Forecaster by Poietic Studio, with each foam sphere's motion individually customisable by an iphone app interface

The Particle by Alex Posada

Official video from the artist's vimeo - video link

Departures 2010 by the Trope Troupe - this screen-based travel information system is meant to help travellers to be aware of local laws

Moodski 2004 by the Trope Troupe - sample more here: http://t.co/CzBiggq

*****

Further Readings -

Page: Official page of Kinetica Art Fair
Page: Works of Swiss artist Pe Lang
Review: "Art with a life of its own: ears, skulls and holograms by Roland Hancock" for the Telegraph, 04.02.2011 (with video clip)
Review: Kinetica Art Fair 2010
Review: Kinetica Art Fair 2009
Video report from the BBC - 04.02.2011

a textured show

Testing Ground / Future Map 10
Zabludowicz Collection London
13.01-06.02.2011

Last weekend I managed to drop by the Zabludowicz Collection’s London project space for its annual show Testing Ground. Drawn by the image of a beautiful converted building and a display of art graduates in the show, it proves to be well worth the ride on Northern Line.

Soapy tit wank (2007) by Dinos Chapman at the entrance

According to the official website, "the former Methodist chapel that houses the collection was built between 1867 and 1871, in the Corinthian style. For nearly a century, it was the main place of worship for the Methodist community in north London. In 1963, the building was taken over by the London Drama School, which pioneered the Russian branch of method acting in the UK.

In 2004, when The London Drama Centre moved to new premises in Clerkenwell the building fell into disrepair. It was purchased by the Zabludowicz Collection in 2005 and was restored with a minimum of interference into its natural fabric by AHMM. It reopened to the public in September 2007 as the London home of the Zabludowicz Collection. In 2010 the foyer was redesigned by Michael Marriott." 

Tiles pattern

Window Details

The stalls

Panoramic view of the main gallery space

Testing Ground is an annual initiative for higher education in the arts and curating of the institution. Now in its 13th year, Future Map 10 participants were selected from nearly 10 000 graduating students from University of the Arts London’s six Colleges: Camberwell College of Arts, Central Saint Martins College of Art and Design, Chelsea College of Art and Design, London College of Communication, London College of Fashion and Wimbledon College of Art.

An expert panel of leading industry insiders comprised of 20 Hoxton Square Projects founder Alexander Dellal, Associate Director of International Programmes for the Emirates Sharjah Art Foundation, Judith Greer, Grazia Style Director Paula Reed and Time Out London Visual Arts Editor Ossian Ward has selected 28 Future Map 10 exhibitors representing 17 different courses from across this year’s graduate and postgraduate shows. The works displayed include a wide range of disciplines from Fine Art to Fashion, and Wimbledon’s BA Technical Arts & Special Effects course makes its first Future Map appearance this year.

Installation at the rear gallery

works by StrangMacfarlane - video link

Sway by Lucia Rivero - video link

Textile design by Maryrose Watson

Chandelier: Hair Filament by Dari Bae
Interior design by Chantinee Premprabha
Object of Labour by Lillian Suwanrumpha

Full photo set

It is a wondeful experience of the space and the curatorship efforts that have been put into the show for such a wider range of works.

The organiser has arranged a late night opening tomorrow (4/2) with with special performances from Future Map artists Catherine Wharfe and Lucia Rivero and a conversation between this year’s Future Map Prize Winner, Josh Baum and Ellen Mara De Wachter, Exhibitions Curator.


View Larger Map

*****

Further Readings -
Page: Official page of Future Map with listing of all artists participated in the show
Page: Past exhibitions in Zabludowicz Collection

what's new in london art fair 2011 - part 2

Continue from Part 1

Of the 124 galleries showing in London Art Fair, here are our favourites. Some of them are new comers exhibiting the first time in the fair, which we feel really pleased that the organiser had picked them! Do visit our full set  of photos which would show more art works each gallery represents.

Vegas - 

Madonna & Child (2010) by Bouke de Vries

Braille art by Sankeum Koh

Buddha z in Steel Lotus by Ziwon Wang - video link

Midnight Moonshine by Susila Bailey-Bond

Europe (2009) by Paula Scher

Haringey; from The Island - London series (2008) by Stephen Walter

Fight with Punch (2008) by Mark Hayward

Untitled study 2 (2011) by Ana Maria Pacheco

Jealous - 

People Strip (2010) by Jayoon Choi

Cinderella's Pumpkin (2011) by Sarah Tse

Mini Bee by Elisabeth Lacourt

Souffle Ballon Souffle (left) & Envol Plume (right) by Elisabeth Lacourt

photos without cameras

Shadow Catchers: Camera-less Photography
V&A Museum
13.10.2010-20.02.2011

Technology changes the face of our world, and it only accelerates in the post-millennium world we all live in. What's new today would be out in a matters of months or even weeks. New techniques and media emerge all the time which bring artists countless possibilities to explore & re-invent their works.

Since the arrival of digital cameras, film cameras and polaroids have fallen into victims of the 'fastfood' generation - everything has to be fast, instant and hassle-free. It doesn't need to be perfect, but it has to be seen. It is the Zeitgeist. So do you remember how people capture what they see before cameras exist?

Well, you may say paintings. Yes, you know it because there's a National Portrait Gallery in Trafalgar Square. But there is something between paintings and photos from cameras - well technically photos can only be taken by cameras, is it? Not really...

The Night Cell (2010) by Garry Fabian Miller 
© Garry Fabian Miller / Courtesy of Hackel Bury Fine Art London

Given a light sensitive surface, which is what a photo paper really is, photography - capturing objects from 3D to 2D - can be done without an actual piece of camera. It is not a new technique, but most people probably don't think it is practised any more nowadays, not to mention having an exhibition. V&A Musuem has devoted its prime exhibition space right next to its main entrance to this show, to recall people's memory of how wonderful and admirable this technique is.

Chemigram 25/1/66 V (1966) by Pierre Cordier
© Pierre Cordier

The show features works of 5 contemporary artists (they're not called 'photographers' in the official publications) - Garry Fabian Miller, Pierre Cordier, Adam Fuss, Floris Neusüss and Susan Derges. Although they all make photos without a camera, their photos look very different from each other's.

Invocation (1992) by Adam Fuss
© Courtesy of Adam Fuss / V&A Images

These photos cannot give you the HD crystal clear view of the subjects like the snapshots on your iphone, but they give you more by showing less - just as what Mies van der Rode said. The viewers are free to interpret what the photos are about, what the artist is trying to capture, and what exactly has been captured. It is a process which you cannot accelerate - you would need to spend time looking at each of them, instead of flipping them through your finger on the ipad screen.

Körperfotogramm (1962) by Floris Neusüss
© Courtesy of Floris Neusüss

The museum has prepared a short clip for each artist (as embedded in this post) to provide more background to the viewers how they create each photograph and why they would do it in his/her own way. It is like magicians revealing the secret - you can see how these beautiful images are made. And perhaps you will be inspired after seeing the show.

Arch 4 (summer) (2008) by Susan Derges
© Courtesy of Susan Derges / V&A images

Location -

View Larger Map

*****
Further Readings -

Page: Official page of the exhibition in V&A's website

Page: Interview with Floris Neusüss by Lucy Davies for the Telegraph, 08.10.2010
Page: "Pigment, Light and Film" on Garry Fabian Miller by the Stride Magazine, 02.2007
Page: Artist's profile of Adam Fuss at Timothy Taylor Gallery's website
Page: Interview with Susan Derges by Andrew Pulver for the Guardian, 20.10.2010
Page: Official site of Susan Derges
Page: Official site of Pierre Cordier

what's new in london art fair 2011 - part 1

London Art Fair
19-23.01.2011

The first major fair of the year in town, London Art Fair is good in the way that it's not as exhausting as Frieze but still have enough to offer the visitors to spend an hour or two inside to discover the trend of the art market in town. A quick run around the venue revealed two interesting finds for this year's show -

We Think They Must Have Souls (2008) by Littlewhitehead

The Perfect Man (2010) by Littlewhitehead

1. They have learnt from Frieze Art Fair last year about multiple display of works by featured artist across the venue. Simon Fujiwara's Frozen City last year in Frieze had won great reviews by critics and successfully attracted visitors to walk through the whole fair to see his works, thus helping to bring a more consistent level of traffic to every stall. Sumarria Lunn Gallery has installed works by Glaswegian artist duo littlewhitehead in various locations. The duo is famous for their dark-humourous installations with life-size human figures, such as these shown previously in Saatchi Gallery.

Studio 1, Hallituskatu 7, Oulu (2007) by David Spero

Adam Hinton's series taken in Shanghai 

2. Photo50 this year are showcasing 9 photographers and many impressive works can be seen in the most top attic area in the venue. Hopefully these few captures, together with the cafe, would make your feet go up a few steps to see these masterpieces. Our favourite among the 9 photographers is Scarlett Hooft Graafland from Holland -

Pentagon (2007) by Scarlet Hooft Graafland

More on top picks from the exhibitors in Part 2.

*****

Further Readings -
Page: Official page for photo50 section of the fair
Page: Official page for littlewhitehead's works in the fair by Sumarria Lunn Gallery
Video: Clips of littlewhitehead's kinetic installation 'Hung Figure' - clip 1, clip 2 by stuartart
Page: Official web for Scarlett Hooft Graafland
Page: Interview with Scarlett Hooft Graafland by the Telegraph, 08.02.2010
Video: "Life Vividly Lived" Exhibition by Inishturkbeg including works by Scarlett Hooft Graafland