XXIIth Venice Architecture Biennale
First of all, a new year greeting to everybody - wish you an inspiring year ahead!
At the end of a long holiday after Christmas & New Year for most of us, the urge to plan the year ahead and carry out the plan in reality is probably be in your mind at some point over the past 2 weeks. To make it easy, it's always motivating to start with some travel incentives. Have you planned any art excursions ahead? The following may be useful: the Independent's must-see calendar 2011 for global art events. (If you would like to check out events within the UK, click on this instead)
Visitors in the Giardini
Here is a retrospective of the Venice Architecture Biennale last year, focusing on the British personnel involved. According to the offical website, the event had attracted a record attendance of 170801 visitors, that means over 3 million euro of just entry-ticket sales (full price entry is 20 euro for an adult person). Attendance for its sister Art Biennale in 2009 was 375700, and who knows how much is spent for all the red carpets during the film festival. No wonder Venice can survive the rising sea level - just with its three Biennales!
The British pavilion this year is commissioned by Vicky Richardson, Director of Architecture, Design, Fashion at the British Council and under the direction of muf architecture/art Llp. This is the official information from the British Council, how the commissioning process actually work? We don't have any further information from the page, so we cannot comment on whether the team selected has got the best idea. However, from observation, the British pavilion seems to be the only one who dedicated a significant portion of its exhibition to the host city, Venice, itself. And somehow this Villa Frankenstein (name of the British pavilion, which is also unique among the exhibitors that a name other than the country's name is provided) is quite fascinating indeed.
British humour displayed at the entrance - The Puddle, a concrete-formed pond & some paddington boots aside
Plan of the pavilion
The Stadium of Close Looking - a 1:10 scaled model of the Olympic Stadium for London 2012, designed by muf architecture/art (London) and built by Spazio Legno (Venice) + Atelier One (London)
The Ruskin Wing - showcasing reference materials about the British Victorian social critic & historian of Venetian architecture John Ruskin
The Lagoon - displays illustrating the fragile eco-system in the Venice Lagoon
A 15 sq m. ecologically functioning slice of salt marsh in a tank showing a close‐up view of the native floral and fauna of the Venice Lagoon
You can see from the above, the UK pavilion is a collaboration between Venice and the British team, in terms of concept, contents as well as execution. It is quite an enjoyable and educational exhibition. Apart from the British pavilion, we also found Zaha Hadid's works featured in the Austrian pavilion -
No matter you like her works or not, Zaha Hadid has now truly be recognised around the world such that her architecture is even featured in the pavilion of another country in the Biennale. This is a great achievement for herself and her office. Other british featured in the show are -
Joanna (chapter one), by Cerith Wyn Evans - the neon tube text at the background
Tony Fretton's Piazza Salone with artist Mark Pimlott at the Arsenale
If you would like to learn more about the UK's participation in every Venice Art or Architecture Biennale, check it out at this dedicated website by the British Council. Below are the full photo slide shows of the Biennale in the Arsenale venue, the Giardini venue and across the town.
Further Readings -
Page: Official page for the Venice Architecture Biennale
Review: The sprawling Venice biennale offers frustrations and rewards by Oliver Wainwright for BD magazine, 31.08.2010
Review: RA Magazine Blog: Biennale diary by Kate Goodwin, 03.09.2010
Review: Cerith Wyn Evans at the venice architecture biennale 2010 by erica for designboom, 04.09.2010
Youtube: official youtube channel for the Biennale
Youtube: Hans Ulrich Obrist's series of interviews with all the exhibitors in the Biennale