A: Who are you?
A: What is this 'back-up' question? I just got information yesterday that it is going to be in the Garage Moscow in September 2011
A: My concern is to give everything I have to the audience and it is up to them how they want to deal with that. There are so many different reactions to my work. The ones who participate see something happen because we have shared the same experience. The audience are free to take what they want from the work. The public are an important part of the performance.
A: I could never do what I do now if I didn't do early work. I investigated my body limits now I investigate my mental limits. So what do you do in this office? Is this only a Twitter room? And are these your Twitter girls? Is the final question 'Where do you want to die?' It is really important to start from the beginning to see where everything comes from. My biography would be great to understand my childhood. Everything comes in to place after that. You have to take something personal and make it universal.
Full photo set
With the mega Frieze in town this week, every one in the art 'industry' is cooking full speed to serve the audience a big feast. Below are some recommendations from various print media -
- Tatiana Trouvé & Michal Budny at South London Gallery
- Vanishing Point (Ivan Black & Reuben Powell) at Kinetica
- Dirk Stewen at Maureen Paley
- Ai wei wei at Tate Modern Turbine Hall
- Susan Philipsz's "Songs for the City" for Art Angel
- Urs Fischer at Sadie Coles
- Exhibition #3 at Musuem of Everything
- Marina Abramović at Lisson Gallery
- Noemie Goudal at Hotshoe Gallery
- Hernan Bas / Issac Julien / Yayoi Kusama at Victoria Miro - see our previous report
TENT London is once again showing at the Old Trumen Brewery in Brick Lane this year. With some exhibitiors moving on to new venue such as the Tramshed (to be continued in part 2), we felt there is a sense of emptiness in TENT, particularly in the TENT digital section, which shows the amazing work of digital designer group WOW last year in the main screen. This year it becomes non-design propaganda for the UK Trade Commission, which we think is a bit anti-climax and lack of originality. Kingston Uniersity has occupied a space in TENT to show its graduates' works, which helps to bring back some edge to the show.
Full photo set link
Full photo set link
London-based DS has been showing his works around the UK as well as the continent via Affordable Art Fair & Art Helsinki. You can see his works in the upcoming London Fashion & Art Event in ICA (21.09). He talks to us about what inspries him, how commercialism and individual originality could co-exist/complement each other in graffiti art, and his future plans -
1. You say in your website you were fascinated by miniature design, Japanese animation & propaganda posters. What qualities in each of them do you fall in love with?
A: Propaganda posters and Japanese animation have a massive influence on my art. Stories and tension conveyed in a single image, the exploration of themes of violence and fragility, the use of epic characters are all aspects that I try and incorporate to my art. As for the miniature design, this is the reason for why I chose do stencil art. The wild art of the can is tamed, controlled & brought to solid form by a surgically hand-carved template creating levels of detail that would rival an airbrush.
Scuba - Amsterdam
2. Now that Banksy has gone truly global and has even hold a solo show in a council-owned venue, do you agree that stencil art has become "over main stream" and hijacked by commercialism or is there any emerging approach to reclaim the territory / agenda from the others back to the hands of the artists?
A: Acording to a graffiti purists, the day you step out of the shadows into the light of the gallery you’re a sell out. Any level after that your “over main stream.” I don't think its that black and white though, but there are mainstream parts of stencil art for sure though. The day Bansky started to get big, gorilla media companies used stencils to promote albums; Donnie Darko, Just Jack, even Puma had some out there. It’s all very basic stuff though and I’m not particularly worried about it undermining from my art nor do I feel it's been high jacked.
3. How do you feel about London in general as a platform for artists? What is the best parts of that and what makes you feel frustrated?
A: London's a great platform for so many different careers, art is definitely one of them. It's a city that loves art, so many spaces to view, buy and exhibit, be it on the streets, café or in a gallery there’s a place suited for you and your medium. It’s certainly shaped me as an artist. The flip side would be there is a lot of competition but that's always healthy, it keeps me on my toes and developing my art.
4. Do you have any future plans? What's next?
A: I’ve got a lot of things coming up that are getting me excited. I’m designing T-shirts with the aim to bring out my own brand by early 2011 and soon should have a DS Art iPhone app too. Got a whole lot more in the pipeline too which I can’t yet reveal so keep your eyes out on my blog or twitter.
All images featured from the artist's homepage © DS
Further Readings -
Interview with Idol magazine